Good lord, I tried to do a spot of online Christmas shopping, since Boss 1 is gone for the day and Boss 2 is in a three hour conference call, and the phones will not stop ringing! And when the phones aren't ringing, people are stopping by! WTF? It's Friday! Give me fifteen minutes of peace so I can order some gifts! *rant about international shipping and the lack thereof from some sites redacted*
Speaking of Christmas, I don't send holiday cards anymore - I got out of the habit and never got back into it, so I never put my name in anymore for people to send me cards, since I feel bad that I don't reciprocate. I do love receiving cards, though, so thank you so much to
rei_c for the lovely card! First one of the season! *hearts*
***
Last night,
mosca posted a poem in
breathe_poetry that I really liked (
Different Uses for Windows by Arlene Ang), and included a link to
H_NGM_N, the literary journal in which it appears, so of course I had to go over there and poke around.
I found this poem:
Fifteen Beautiful Colorsby Erica Bernheim
I. Four mornings in a row of dawns, reversed sunsets, greasepaint reflections of peril heightened.
II. Ash, scattered, tastes of care and warns of inter-mural collisions. Expected, their flat hues.
III. Speaker, formulaic, blends all domestics into hard-won remainders like salt and rock salt.
IV. Lights at their brightest are the first to be extinguished. Six tickets rigged. Stained clandestine yellow.
V. Signals, misfired. Cornflower becomes alabaster, what voices scrape the self-professed neutron into action.
VI. Sweets, water, rested and longing for motion, the completion of the voiced projections: picture, abandon.
VII. My love, this journey and you have worn me like a jacket, like bluish seams erased and easily worn out.
VIII. Comfortable lead, pulling from center together, narrow as spit rope. Forty bowls, none glass.
IX. No one cares for the plights of the professionals, their amber sweat, their safety is what this does for you.
X. This is what the conversation looks like when no one wants to have it. Someone keeps score in red.
XI. Dead pull hitter. No trigger. Even the handle has been sold. What remains, iron.
XII. Two arms reaching make little sound grasps at smoke. Nothing here will bloom or rise, planetary faces.
XIII. Ball into glove is to tincture as impact was to need. Precious intensity wheedles its own sins.
XIV. Fine and ground to pieces no bigger than the heart of palm that holds yours. Waves out, be mine.
XV. What is this moon but silver ending, this flesh but nothing, this lamp, this stiff night.
~*~
I liked the first poem on the page well enough to scroll down and keep reading this one, and I liked it too, even though it didn't really ping me. Interesting use of language, and the first sentence of IV is well put, but nothing to really jolt me until I hit this:
VII. My love, this journey and you have worn me like a jacket, like bluish seams erased and easily worn out.How perfect is that? It packs a whole relationship into one line, twenty words long, nothing tricky about it, deceptively simple. You know exactly what kind of jacket she's talking about, and exactly what the narrator feels like. This is why I love poetry and why I wish I could write like a poet.
(It also doesn't hurt that it makes me think of Sam and Dean. Shut up.)And X. reminds of fandom. Sigh.
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This entry at DW: http://musesfool.dreamwidth.org/105339.html.
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